Before Natalie Portman captivated theaters in Black Swan, ballet was already pirouetting across spring runways. At Chloé, creative director Hannah MacGibbon showed sleek chignons, ethereal dresses and elegant flats while dancer-ly shoes were paired with long gowns at Valentino. At Max Azria, wide-necked tees over flowing maxi dresses evoked a post-rehearsal ballerina.
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